Another article in the NY Times raises questions about the nature of features of a museum. This time, a NYC sanitation worker, Nelson Molina, has spent the last 20 years collecting things that other people have thrown away. His collection now includes around 1000 pieces of art that he has arranged in the second floor of a Sanitation Department garage.
Molina’s theory of art is both straighforward and unassailable. When asked to explain how he decides whether or not to include a piece, he replied: “It doesn’t matter what it is. As long as it’s cool, I can hang it up and I’ve got a place for it.”
Over at Smithsonian.com’s Smart News blog a recent post tries to explain why we collect things, or at least why we hoard things: Why We Hoard and How to Stop. The basic claim seems to be we value things we own or wish to own—there may be a circularity here that tends toward vicious. Researchers call this the endowment effect.
I am not convinced this the endowment effect is acting in Mr. Molina’s case. He doesn’t, after all, owns any of the objects he collects and arranges.